This track here is not a song, nor a tune. It is a sound. A sound compiled by satanists in the early 12th century to open a door to hell to willingly given their souls to Lucifer. A sound used in 13th centure Europe during Excorisms to open the gates of hell in order to send the demon within someone back to its origins. This track is a danger to play for when it opens the gates of hell, it allows demons to enter wherever you are. Play at your own risk!!! There are certain “safe” zone where this track will not play at all and these zones are usually holy places such as churches where demons would not dare to lurk.
By trying to help make one group of people feel accepted, you are systematically repressing everyone else who you feel has too many rights as it is. I’m not ashamed of who I am or what I stand for, so I will be damned if I let you take rights away from me.
Socialism:You have 2 cows and you give one to your neighbour.
Communism:You have 2 cows; the Government takes both and gives you some milk.
Fascism:You have 2 cows; the Government takes both and sells you some milk.
Nazism:You have 2 cows; the Government takes both and shoots you.
Bureaucratism:You have 2 cows; the Government takes both, shoots one, milks the other and throws the milk away..
Traditional Capitalism:You have 2 cows. You sell one and buy a bull. You herd multiplies, and the economy grows. You sell them and retire on the income.
An American Corporation:You have 2 cows. You sell one, and force the other to produce the milk of four cows. Later, you hire a consultant to analyse why the cow dropped dead.
A French Corporation:You have 2 cows. You go on strike because you want three cows.
Japanese Corporation:You have 2 cows. You redesign them so they are one-tenth the size of an ordinary cow and produce twenty times the milk. You then create a clever cow cartoon image called Cowkimon and market them Worldwide.
An Italian Corporation:You have 2 cows, but you don't know where they are. You break for lunch.
A Swiss Corporation:You have 5000 cows. None of which belong to you. You charge others for storing them.
Chinese Corporation:You have 2 cows. You have 300 people milking them. You claim full employment, high bovine productivity, and arrest the newsman who reported the numbers.
An Iraqi Corporation:Everyone thinks you have lots of cows. You tell them that you have none. No one believes you and they bomb your arse. You still have no cows, but at least now you are part of a Democracy.......
Counter Culture:'Wow, dig it, like there's these 2 cows, man, grazing in the hemp field. You gotta have some of this milk!'
Surrealism:You have two giraffes. The government requires you to take harmonica lessons.
Fatalist:You have 2 doomed cows...
A West-Country Corporation:You have 2 cows. That one on the left is kinda cute.
A Brazilian Corporation:You have 2 cows. You pay taxes for 6 cows. You have to sell one cow in order to pay the taxes. Your remaining cow gets sick and dies while waiting for availability in the public vet hospital.
Moffat:You have two cows. Both of them are your daughters time travelling from the past where they had a brief love affair with Da Vinci making you the rightful Queen of England.
An Irish Corporation:You have a million cows because they're fucking everywhere
Tumblr:You have 2 cows. You ship them together and make GIF posts screaming about how much you love your cows, but they should stop existing because they are so perfect.
I started playin the tuba part, it’s goin quite well. All four of next year’s tuba section was at least holding a sousaphone, we were missing the necessary bits for everyone to play. Had issue with some of the higher notes, but me and our concert tubist got it down. It’s sounded OK for sightreading, but we really need to work on it.
We moved on to She Will by Lil Wayne and Drake, it’s written sorta difficult for the melody, but it’s not that hard once you learn it.
Somehow, only the TC part for All of the Lights was copied, so playing that was a disaster due to no trombone playing the intro.
Run This Town sounded quite good, actually.
So after school, I heard some things from a few little birdies. The freshman tubist said that our new member is “holding the line back” and that I “think I can play better than I can.”
Excuse me, bitch. One, I am your section leader, and I arranged this music. I haven’t touched a sousaphone since the winter, no shit I’m out of practice. I figured out the fingerings and stuff for the parts before you did ON YOUR PRIMARY INSTRUMENT. Motherfucker. Give me time to get used to the mouthpiece and the partials. And don’t you dare say that our new member is holding us back. She took the initiative to pick up a 35 pound instrument, and is excited to learn how to play. I’m more than willing to teach her. Don’t even think you can judge a person on what they bring to the line just by what happens after half a class period of her not even having bits. At least she worked with our field commander to learn fingerings. The only one holding the line back is you for being so negative about everything.
I also heard people don’t like the music I arranged. I printed our relevant, fun to play, and fun to -listen to- music. Stuff that will get the crowd hype and impress other bands at battles. Just cause you don’t know how to play your fucking instrument doesn’t mean -I’m- doing a bad job. The music will sound good once you stop sucking.
So yeah, I’m more than happy to be blasting on my beloved sousaphone again, but playing my own arrangements wasn’t exactly as powerful as I wanted it to be. It’ll come once we actually practice. I’m also disappointed at people for being so bitchy over this. I don’t need someone talking shit about the rest of his own section, or people complaining about my arrangements just because they suck at their instrument.